Angelo Aversa - Woodcuts

Angelo Aversa 21 June 2009, New England
When I was very young, I began to have a natural predisposition for art but I certainly didn't imagine that one day eventually it would, and should, become my job. It's not an easy row to hoe. The so-called art system--critics, galleries, curators etc.--can be the biggest enemy for an artist. I'm not convinced that a good part of gallerists, curators and critics today do their job well. To be an artist is fantastic because it is a profession where freedom is fundamental.....
Sometimes this freedom gets blurred by the art marketers who promote certain banal themes and artists that are easy to sell. My relationship with the art system is distant because I believe in the excellence of good art over what's fashionable so I will never accept the political and tired reality of the art operators. My biggest wish and ambition was and is to be a great artist mainly for myself. Nothing is more adrenalin-inducing and emotional than to create something from nothing. When I started with the woodcut technique I never thought for a moment I could make a living from it. My main artistic formation was in a bottega darte as an apprentice to a master artist. Trained in this Renaissance way, I needed to have a patron of the arts. In fact my first patrons where and still are my family in Italy and my wife, Mary, who sustains our family and encourages me in my art. In a world where meritocracy is not always recognized, where the economic imbalance is more and more acute and where everything runs at an intolerable velocity, I thank God because there are still some people who look to the future with eyes of goodness and infinite patience. Angelo Aversa 21 June 2009, New England

The Firecracker Press, St. Louis

The Firecracker Press opened shop in February of 2002 as St. Louis, Missouris only graphic design studio and letterpress printshop. They combine antique printing technology with new thinking to design and produce objects that people enjoy seeing and feeling. They use computer design software to conceive ideas but still carve woodblocks and print by hand to produce event posters, business cards, party invitations, advertising and more.

Nick Wrobleski - describes printmaking process

Midwest based woodcut artist Nick Wroblewski describes the printmaking process before Art Fair on the Square in Madison, WI (2009). For more on Nick go to: http://nickwroblewski.com

Karen Kunc at OSU Dept of Art

Karen Kunc visits Oregon State University as part of the Visiting Artist & Scholars Program sponsored by the OSU Department of Art. This documentary features her woodcut print show titled "Printedness".

Karen Kunc was born in Omaha, Nebraska in 1952. She received her BFA from the University of Nebraska-Lincoln in 1975, and her MFA from Ohio State University in 1977. She is a Cather Professor of Art at the University of Nebraska-Lincoln where she has taught since 1983. Her recognitions include: the 2007 Printmaker Emeritus Award from the Southern Graphics Council; a Fulbright Scholar Award, 1996; Mid-America Arts Alliance/National Endowment for the Arts Fellowships, 1996 & 1984; Nebraska Arts Council Individual Artist Fellowship Master Award, 1992; Individual Artist Fellowship, Ohio Arts Council, 1982. She has taught numerous workshops around the world and served as a visiting artist to over 100 institutions. She has curated exhibitions of American art for Finland, France, Egypt, and frequently serves as a juror for national competitions.